Tag Archives: colonial dance

The Opera

The dance The Opera appears in the book A New Academy of Compliments Or, The Lover’s Secretary, printed in Worcester, Massachusetts in 1795, which contains dance descriptions on four of its 144 pages. There are a couple of odd things about its appearance in that book. For one thing, it appears twice in the book, with two different descriptions, two pages apart, that seem to be describing the same dance. For another, it seems to be based closely on the dance The Opera, or The Ape’s Dance that appears in Playford’s Dancing Master as far back as 1675, and also appears in a dance manual from 1719.

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Away to the Camp

Away to the Camp is a triple minor longways dance, which was published in London in 1782 in 24 Country Dances by Samuel, Ann & Peter Thompson, as well as in Thompson’s compleat collection of 200 favourite country dances: perform’d at court, Bath, Tunbridge & all public assemblies with proper figures or directions to each tune, set for the violin, German-flute, Volume 5 of 5, printed in London, c. 1788.  It was handwritten by Jeremiah Brown in a Massachusetts manuscript circa 1782.

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Black Dance

We found Black Dance in a manuscript written by Jeremiah Brown of Seabrook, New Hampshire, in 1782.  It was described in several manuscripts in the United States late in the eighteenth century and early in the nineteenth, and various versions appear in English sources (sometimes called “Black Dance”, and sometimes “The Black Dance”). Continue reading

Penington’s Rant

Penington’s Rant was published in London by John Johnson around 1748 and by Samuel and Charles Thompson in their Two Hundred Country Dances Vol. 1, published in 1758 (or, according to the Tune Archive, published in 1757). It was likely published in Thompson’s Twenty Four Country Dances for 1751 or 1752,  We have not found any written record of this dance in the colonies, but it is likely that it was enjoyed on both sides of the Atlantic! Continue reading

The Convention (cotillion)

The Convention is  found in John Griffiths’ publication Collection of the Newest Cotillions and Country Dances Principally Composed by John Griffiths, Dancing Master. To Which is Added Instances of Ill Manners, to be carefully avoided by Youth of both sexes, Northampton, Massachusetts, 1794. *

The Convention is a cotillion.  Cotillions were danced by an even number of couples, usually by four couples standing in a square set.     Continue reading